摘要
在中国小说史上有许多爱情悲剧作品,但真正的爱情悲剧作品是在宋元以后出现的,特别是“三言”中的几篇。真正的悲剧作品中,悲剧形象不仅仅以苦难来博得人们的同情,更重要的是以反抗赢得人们的尊重与赞美。“三言”中之所以出现真正的爱情悲剧作品,是因为作者具有悲剧意识,这种悲剧意识体现为“命运的喟叹”、“痛惜的哀歌”,作者悲剧意识的产生与当时的时代背景有密切关系。
In the history of Chinese novels, there are many tragic love stories. However, it is after the Song and Yuan dynasties that true tragedies of love affairs,particularly love tragedies like those in <Sanyan> ,do appear.In true tragedies, the heroes (heroines) not only wins sympathy through their sufferings but also win respect and praise through their revolt.The reason why true love tragedies appear in <Sanyan> is that the authors have the tragic sense that is expressed in their 'lament for fate' ,and their 'plaintive whine of regret' .The tragic sense of the writers bears close relations with their background of time they live in.
出处
《中国社会科学院研究生院学报》
CSSCI
2003年第2期96-99,共4页
Journal of Graduate School of Chinese Academy of Social Sciences