摘要
发生于20世纪30年代的左翼电影运动,曾大量采用寓言体式作为一种基本叙事模式。这种模式以编码的方式提供了对现实世界的诠释,无疑带来了批判和解析当时社会的方便,但是同时也产生了类型化、模式化的负面影响。
The allegorical style was so commpn in movies during the Left Wing Movement in the 1930's that it became a dominant mode of narration. While this mode of narration facilitate the interpretation of reality and the critique and analysis of the society at that time, it brings with it its negative influences such as typicalization and formalization.
出处
《山东大学学报(哲学社会科学版)》
北大核心
2003年第3期39-42,共4页
Journal of Shandong University(Philosophy and Social Sciences)