摘要
随着当代文学实践的开放性、多元化和各文体之间的互渗化,沿袭已久的散文文体特性界说越发显得老化,无力为散文文体提供可靠的话语体式依据。本文从艺术形象的功能显现、支柱性要素、动态构成方式和语言织体四个典型视角提出了散文的文体构型之我见,即散文是一种集再现与表现于一身、以情境取胜、以散跳见长、文字既细密平实又疏朗错落的文学体裁。
With the development and pluralization of contemporary literature and the interpermeability of different genres, we are more and more aware of the fact the traditional definition of prose style is definitely outdated in that it is incapable of providing stylistic guidance for prose writing and appreciation. In this thesis proposes a new definition of prose style is proposed and is then elaborated on from the perspectives of functional representation of artistic images, key elements, dynamic composition and linguistic form. The author concludes that prose is a special genre which is a combination of expression and representation.
出处
《山东大学学报(哲学社会科学版)》
北大核心
2003年第3期66-70,共5页
Journal of Shandong University(Philosophy and Social Sciences)