摘要
以和合学与系统论的观点考察中国报告文学的发展,认为在文学与政治、作家与时代激烈冲突的20世纪,报告文学始终处于冲突、融合的过程之中,正是它在"新闻性"与"文学性"、"文学性"与"政治性"(理性)、歌颂与暴露以及主旋律与多样化等方面的激烈冲突,报告文学才得以发展、进步,才走向融合、新生。而90年代报告文学的成熟与自觉,正是它遵循其自身内在规律而向前发展的必然结果。
The paper investigates the development of Chinese reportage from the angle of the law of the unity of opposites and systematicism. The paper puts forward that reportage has been in a process of conflict and combination in 20th century when were sharp conflicts between literature and politic as well as between writers and the time. However, just because of the sharp conflicts in various aspects such as 'journalistic' vs 'literary', 'literary' vs 'political' 'eulogy' vs 'exposure' and the main melody vs diversity reportage develops, improves and directs its step towards combination and gains a new life. The maturity and consciousness of reportage in 1990s are the inexorable result from its development through observing the inherent law.
出处
《湖南大学学报（社会科学版）》
2003年第3期65-70,共6页
Journal of Hunan University(Social Sciences)
关键词
报告文学
冲突
融合
成熟
reportage
conflict
combination
maturity
