摘要
金圣叹的《第五才子书水浒传》的突出之点即是“腰斩《水浒》”。金圣叹继承了明代李贽的批评传统,把通俗性小说、戏剧与高雅的诗文相提并论,甚至认为小说、戏剧比诗文具有更高价值。他还提出了“因文运事”、“‘三境’说”、“个性化”、“澄怀格物”与“因缘生法”等小说创作理论。
This thesis analyses and makes comments on Jin Shengtan's main characteristic on the fifth masterpiece 'The Water Margin' from the angle of theory of literature or art criticism. It further studies and analyses Jin Shengtan's fiction creation principle and theories of criticism. The thesis fully affirms Jin Shengtan's contributions to the theories in the history of the development of novel.
出处
《南昌大学学报(人文社会科学版)》
北大核心
2003年第3期133-138,共6页
Journal of Nanchang University(Humanities and Social Sciences)
关键词
金圣叹
《第五才子书》
《水浒传》
评点
Jin Shengtan
on the fifth masterpiece
'The Water Margin'
comment