摘要
"新实践美学"与"后实践美学"在一定程度上对传统美学思想有所改进和发展,但两者的争论表明他们仍然没有走出传统美学二元对立思维的误区。真正的实践美学思想,既是对旧实践美学的思维方式的批判,也是在多元共存思维的基础上,从实践本体论和存在论角度切入美学研究,强调实践的艺术化和生存的审美化。
Although the new practice aesthetics and the later practice aesthetics have improved and developed the old practice aesthetics , the argument shows that those two still have a misunderstanding about duality-opposion in traditional aesthetics . Intrinsic practice aesthetics has criticized the outdated thinking methods of old practical aesthetics. Intrinsic practice aesthetics emphasizes the artistic practice and aesthetic existance.
出处
《烟台大学学报(哲学社会科学版)》
北大核心
2003年第3期305-309,共5页
Journal of Yantai University(Philosophy and Social Science Edition)
关键词
实践美学
二元对立
多元共存
实践本体论
practice aesthetics
duality-opposion
multi-element coexistance
practical ontology