摘要
国内学者以往对莎士比亚历史剧《理查三世》的研究比较偏重于找寻剧本中的历史因素,用人文主义这样的标签去归类与简化,忽视了作家本人的创造性活动和艺术世界的独特性、完整性。对于理查三世这一人物也大都认为莎翁塑造了一个十恶不赦的坏人,寄托了作家对明君的向往而已。本文对这种解读模式提出质疑,指出《理查三世》所流露的诗人忧思和所灌注的心灵生气,分析了剧本独特的艺术世界。
Studies on Shakespeare' s historical Rich ill by home scholars used to lay emphasis on digging out the historical elements in the script. They incline to categorization and simplification with such labels as humanism, neglecting the creative work of the author himself and uniqueness and wholeness of his world of art. Richard Ⅲ is largely recognized as an unpardonable wicked figure created by Shakespeare to repose his yearning for a wise monarch. This paper analyses the world of art of the script by questioning such an interpretation and pointing out the poet' s worries and anxieties and the vitality of his soul revealed or perfused in Rich Ⅲ .
出处
《南京师范大学文学院学报》
2003年第2期96-102,共7页
Journal of School of Chinese Language and Culture Nanjing Normal University