摘要
审美主体和审美对象保持恰到好处的心理距离,主体移注情感是“观止”现象得以发生的前提条件。在“观止”境界里,主体以超越时空、超越认知、物我合一的状态为存在形式,心理过程和正常状态采取迥然相异的模式。
An aeslhelic subject keeps a proper psychological distance from an aesthetic object. The subject's shift of emotion is the premis under which distance occurs. In the world of 'distance', the subject exists in the form beyond time and space, beyond cognition, in oneness of objects and humans put together. Psychological process and normal state adopt a totally different mode.
出处
《辽宁师范大学学报(社会科学版)》
2003年第4期79-81,共3页
Journal of Liaoning Normal University(Social Science Edition)
关键词
审美主体
审美对象
变异意识
心理距离
aesthetic subject
aesthetic object
sense of change
psychological distance