摘要
从拆除被典律化所束缚的陶渊明形象开始,指出陶渊明建立了一种复调叙述结构,并分析了其创作的类型和陶渊明作品内部的众声喧哗现象,认为陶渊明是中国浪漫主义文学传统转型期的标志性诗人。
The paper breaks the stereotyped conventional interpretation of the Jin poet,TAO Yuan-ming, posits that TAO established a contrapuntal narrative framework, and concludes that TAO was the typical representative poet in the Romantic tradition of Chinese poetry.
出处
《兰州大学学报(社会科学版)》
CSSCI
北大核心
2003年第4期111-114,共4页
Journal of Lanzhou University(Social Sciences)
关键词
陶渊明
典律化
复调结构
浪漫主义
TAO Yuan-ming
stereotype
contrapuntal framework
Romanticism