摘要
由于社会意识形态的改变和西方文化的冲击,当下的文化生态趋于复杂化,价值取向趋于多元化,传统文人赖以生存的社会背景为现代工业文明所替代,书法从而走下了精英文化的神坛,融入到了当代艺术的体系之中。当代书法由于展示方式的改变和现代评审机制的确立,其发展出现了两个主要特征:一是风格的多元化,二是各种风格呈阶段性流行。对流行书风的褒贬也不一。作为一种文化现象,其本身就具有一定意义,值得我们进行研究和探讨。
Due to the changes in social ideology and the impact of the western culture, the current cultural ecology is becoming increasingly complicated and its values tend to be pluralistic. Therefore, the social background in which traditional scholars lived is now replaced by modern industrial civilization, and calligraphy, accordingly, has to step down from the altar for the elites and lose itself into the contemporary aesthetic system. The change in display of calligraphy and the establishment of modern assessment mechanism lead to two main features: pluralistic styles and different styles preeminent at different stages. There are conflicting opinions about the popular calligraphic styles, which, as a cultural phenomenon, is meaningful enough to be worthy of study and exploration.
出处
《江苏大学学报(社会科学版)》
2003年第3期93-95,共3页
Journal of Jiangsu University(Social Science Edition)
关键词
流行书风
艺术观念
碑
帖
popular calligraphic style
artistic concept
stele
an artistry combining rubbed stone inscriptions with handwriting models