摘要
女性主义诗歌在 2 0世纪 80年代中期以“躯体诗学”对舒婷一代的替代 ,完成了性别意识的艰难蝉蜕与确证。它从女性隐秘的生理心理经验、性行为欲望和死亡意识三个向度上进行的黑夜意识笼罩下的躯体叙述 ,在冲击传统理性文学的同时找到了自己的精神空间。它在艺术上多采用自白方式制造强烈的叙述氛围 ,使语言结构日趋情绪化和弥散化。这种创作改变了女性被书写的命运 ,扩大了女性解放的内涵 ,但也存在着高度私语化。
In the middle of 1980s',the feminist poetry completed the difficult transformation and corroboration of gender consciousness with the 'body poetics'.Its body narration which conducted in three dimensions of the secret female physiological psychological experience,the sexual desire and the consciousness of death gave a shock to the traditional rational literature and found its own spiritual space at the same time.From the viewpoint of art,it often produces an intense narrative atmosphere by means of confession and makes the linguisitic structure increasingly emotionalized and dispersed.
出处
《文史哲》
CSSCI
北大核心
2003年第4期162-168,共7页
Literature,History,and Philosophy
关键词
女性主义诗歌
性别意识
躯体叙述
自白
Feminist poetry
Genger consciousness
Body narration
Confession