摘要
宗白华在"五四"时期对魏晋美学的解读,体现出他力图通过对中国传统美学的体验与研究,重构中华美学精神的识见。宗白华在解读魏晋美学时,着重揭示魏晋人物与美学中的个性特点与情感风采,从而超越了从一般意义上来对待传统的研究,为我们今天重提中国古代文论的现代转化提供了范例。
During the period of May 4thMovement, Zong Baihuas interpretation of WeiJin aesthetics embodied his intention to restructure the spirit of Chinas aesthetics by experiencing and studying Chinese traditional aesthetics. In the interpretation of WeiJin aesthetics, Zong Baihua emphasized the individual characteristics and emotional charm of the figures and aesthetics of WeiJin, which surpassed the general study on tradition, thus, provided us with a paradigm on reexamining the contemporary transform of Chinas ancient literary criticism.
出处
《中国人民大学学报》
CSSCI
北大核心
2003年第4期140-146,共7页
Journal of Renmin University of China