摘要
根据《益州名画录》、《图画见闻志》、《宣和画谱》等画记以及历代诸家有关贯休罗汉画方面的资料,对贯休罗汉画像自唐五代至清朝在中日两国的流变情况进行详细的探讨。
Detailed investigations and discussions are made on the changing state of Guan Xiu's arhat paintings spreading in China and Japan from the Tang Dynasty and the Five Dynasties to the Qing Dynasty based on such painting records as Yi Zhou Ming Hua Lu(Record of Yizhou Famous Paintings),Tu Hua Jian Wen Zhi(Portrait Records) and Xuan He Hua Pu(Xuanhe Painting Guide) and the concerned materials on his arhat paintings by scholars of various schools in the past dynasties.
出处
《四川师范大学学报(社会科学版)》
CSSCI
北大核心
2005年第6期64-68,共5页
Journal of Sichuan Normal University(Social Sciences Edition)
基金
四川师范大学"巴蜀文化研究中心"资助项目