论汪野亭瓷画作品中的审美境界

On the Aesthetic Realm in Porcelain Painting of Wang Yeting

民国时期瓷板画家汪野亭把传统文人山水画移诸陶瓷器具,开创了新粉彩青绿山水瓷画。其作品融合传统绘画的笔墨技法、立意构图、章法布局等,并开拓创新,形成了独具个性的风格特征。作品中画面情景、动静、虚实、形神交错穿插,浑然一体,以平远之法绘山水,境界开阔,笔法放逸,淡雅自然,意境深远。

During the period of the Republic of China, porcelain painter Wang Yeting created porcelain picture of the new famille rose blue and green landscape painting through putting the traditional literati painting shift all ceramic utensils. His works blended traditional painting techniques, conception of ink composition, layout and blaze new trails, and formed the unique style of individuality. In the work, the relationship of the motion and scene, the sound of something astir, the actual situation, form and spirit are interlocked into alternation and an unified whole. He drew the scenery by the law of Pingyuan and eventually formed the following realm: the boundary is open,and the writing technique puts leisurely and elegantly simple nature and the magnificence in artistic conception.