“国家的艺术形象”与“艺术的国家形象”——兼谈人民大会堂《江山如此多娇》的文化内涵

Artistic Image of State and State Image of Art——Cultural Connotion of 'Jiang Shan Ru Ci Duo Jiao' in the great hall of the people

人民大会堂是我国最高的政治活动中心 ,又是最高的艺术殿堂 ,艺术与政治相互关系的理论上的阐释 ,在这里得当了最有效的实证 ;人民大会堂里的中国画如果被称谓“艺术的国家形象” ,确切地说是最能代表着“国家的艺术形象” ;人民大会堂的《江山如此多娇》画作 ,无论是创作主体 ,还是作品展示场地及其文化内涵 ,都可以说是政治与艺术结合的结晶。

The Great hall of the people, where the National People's congress meets.is not only the important political center but also the best artistic place in our country. From it, we can get good understanding for mutual relationship between art and politics. The Chinese paintings in it can be called'state image of art', but more exactly--'artistic image of state'. So the painting'Jiang Shan Ru Ci Duo Jiao',judged from the painters, exhibition site or its cultural connotation, is a perfect combination of art and politics.