都市空间中的欲望、消费及美学——新感觉派、左翼文学中的上海都市叙事比较

Desire,Consumption and Aesthetics in the Urban Space ——The Comparison of Shanghai Urban Narration Between the New Sensation School and the Left-wing Literature

随着人类文明进程的迅速发展,城市和文学的关系也越来越密切,城市在文学描写中的地位也日益重要。20世纪20、30年代,中国的新感觉派文学和左翼文学几乎同时把目光转向上海,这两种不同形态的文学从不同的角度诠释了这座城市。它们在都市描写的广度和深度、作家的情感模式、都市中的人物形象特征以及都市美学的表达等角度上既有相似之处,也有显著的差别,共同演绎了中国这座城市的荣辱浮沉,为中国现代都市美学谱写了新的篇章。

With the rapid development of human civilization, the relationship between the city and literature has become closer and closer, and the status of city in literature descriptions is also increasingly important. The Chinese New Sensation School and the Left-wing Literature almost turn to shanghai simultaneously in the 1920 s and 30 s, and the two different forms of literary interpret this city from different perspectives. They have similarities and significant differences in the breadth and depth of urban description, the writer’s emotional patterns, the characters in the city and the expression of urban aesthetics. And they jointly deducted the glory and humiliation of Chinese cities, and compose a new chapter for Chinese modern urban aesthetics.