摘要
随着物质文明与精神文明的高速发展,仅具备基本住宿功能的酒店已无法满足顾客的需求,度假酒店作为公共休闲行为密集的高品质度假服务场所快速地发展起来。但是,多数度假酒店空间设计的表面化、模式化以及过度化的设计策略,使得度假酒店的专有性、文化性以及品质感打折扣。因此,笔者以"导视系统"作为观看度假酒店的视角,探讨其在酒店设计的范畴中不只是一种设计门类,同时也是一种观看角度、创作手法以及专有性表达。通过对度假酒店空间设计的案例与导视系统案例之间关系的探讨,从两者之间的功能属性、视觉形式以及文化体验三个角度切入,试图讨论多数度假酒店设计的程式化、过度化以及局部体的弊端性。
Under the rapid development of material and spiritual civilization, the hotels which simply function as the basic accommodation places are no longer satisfactory for customers. Instead, resort hotels are advancing fast as a high-quality holiday paradise with the intense public entertainment consumption. However, the space designs of many resort hotels tend to be superficial, generalized and exaggerated, which greatly reduces the sense of uniqueness, culture and quality of resort hotels. Therefore, in this paper, 'the sign system' is taken as the perspective of viewing resort hotels, to explore that the sign system is not only a kind of design, but also a viewing perspective, a creating technique and a specific expression. By analyzing the relationship between space design cases and sign system cases of resort hotels, the paper aims to discuss the defects of stylized, excessive and local hotel design from the perspectives of functional attribute, visual form and cultural experience.
出处
《设计》
2017年第7期120-121,共2页
Design