摘要
在中国文化史上,关于描写同性恋的文学作品,大多是对男同性恋的叙述,很少涉及到"女同"。清初剧作家李渔所作的《怜香伴》,第一次将女同性恋题材搬上戏剧舞台。该剧通过对崔、曹二位女子的隐秘"婚姻"和崔、曹、范三人之间的公开婚姻的描述,揭示了女性追求自身幸福的人性诉求,在传递作者对女性僭越封建礼教、追求自身幸福的同情之余,也显示了作者对封建礼教和男权社会的妥协。
In the Chinese history,there were literature writings on homosexuals,but mostly of gay narration nature and rarely of lesbians’. At the beginning of the Qing Dynasty,playwright Li Yu’s "Beauty Sweet"was the first lesbian themes on the stage. The play described the secret marriage between lady Cui and lady Cao and the public marriage between ladies Cui,Cao and Fan,revealing the humanistic desire of ladies seeking the satisfaction of carnal desires and individual happiness. The paper discussed how the playwright depicted the three persons’ marriage and praised the double lesbian marriage. The paper also interpreted the playwright’s concession to the feudal ethics and male dominant society in the old China.
出处
《三江高教》
2015年第1期68-72,共5页
Higher Education of Sanjiang University
关键词
女同
双重婚姻
人性诉求
男权社会
Lesbian
Double Marriage
Respect of Human Nature
Male Dominant Society