摘要
十圣观音是石窟艺术一种较为特殊的题材,文中以大足石刻现存8例造像龛窟为例进行了考察研究,特别是对大足石门山十圣观音洞进行了较详的分析。并认为,十圣观音造像在大足一地表现尤为显著;来源具有多种因素,主要是观音民间信仰为主;时间上主要盛行于南宋初期;在十身观音的组合上,各个龛窟造像有所变化,而非固定于某一种蓝本。
The Ten Avalokitesvaras is a relatively special theme of the cave temple art.The paper focuses on studies of the existing 8 cases of carved images in Dazu,especially a detailed research on the Cave of Ten Avalokitesvaras on Shimenshan(Shimen Mountain).It holds that the carved images of ten Avalokitesvaras were particularly popular at Dazu during the early Southern Song Dynasty.It is mainly because the folk belief in Guanyin(Avalokitesvara)at that time.For different kind of caves,the image combination of ten Avalokitesvaras varies instead of being fixed in a certain type.
出处
《石窟寺研究》
2019年第1期201-222,335,共23页
Studies of the Cave Temples
关键词
大足石刻
十圣观音
观音信仰
石门山石刻
Dazu Rock Carvings
Ten Avalokitesvaras
belief in Avalokitesvara
Shimenshan Rock Carvings