摘要
场面调度就是"演员和摄影机调度的有机结合"。包括三方面的调度,一是演员,二是摄影机,三是演员和摄影机的共同运动的方式。摄制组到了现场面临的问题是演员怎么演,该怎么做,通常导演会跟演员讲从什么位置运动到什么位置,路线图是什么样,演员调度就是对表演者的调度,通过演员的所处位置,演员的运动方向,演员之间的交流,揭示演员之间的关系和情感,达到银幕效果。演员的调度是场面调度的基础,目的是让演员能得到观众的关注。
scene scheduling is an organic combination of actors and camera scheduling". There are three aspects of scheduling, one is actors, two is cameras, and three is the way actors and cameras move together. The crew to the scene actors are faced with the problem of how to play, how to do, usually with actors from what the director position to what position, what is the roadmap, actor scheduling is the performer's schedule, by the location of the direction of movement of the actors, actors, actors communicate, reveal the actor the relationship between emotion and to screen effect. Actor scheduling is the basis of the scene scheduling, the purpose is to make the audience get the attention of the audience.
出处
《数码设计》
2017年第6期163-163,187,共2页
Peak Data Science
关键词
场面调度
镜头
拍摄
scene scheduling
lens
shooting