摘要
出土于山西省石楼县二郎坡的青铜鸮卣,不仅是实用器,更是商代晚期精美的艺术品。二郎坡鸮卣的装饰风格、造型特点彰显出独特的地域文化风格,是当时与商若即若离的方国遗珍。它是商代鸮鸟崇拜的体现,是商文化和方国地域文化交流融合的产物,是我国早期民族文化交流融合的艺术载体。
The owl-shaped bronze wine jar,unearthed in Erlangpo,Shilou County,Shanxi Province,is not only a practical tool,but also a fine art in the late Shang Dynasty.The decorative style and modeling featuresof the owlshaped bronze wine jar highlight the unique regional cultural style,which is a relic treasure of Fang Guo at that time.It is the embodiment of the bird worship in Shang Dynasty,the product of the integration of Shang culture and local culture,and the artistic carrier of the early national cultural exchange and integration in China.
作者
康艳
杨永慧
Kang Yan;Yang Yonghui(Department of Art,Jinzhong Normal college,Jinzhong,Shanxi,030600)
出处
《山西广播电视大学学报》
2019年第1期105-108,共4页
Journal of Shanxi Radio & TV University
基金
2018山西省社科联科题“新时代高校传承中华优秀文化对策研究”(SSKLZDKT2018152)
关键词
鸮鸟
鸮卣
鬼方
土方
owl bird
the owl-shaped bronze wine jar
Guifang
Tufang