《李峤百咏》的祥瑞书写及其成因——兼及武周天命建构中的文学创作动机

Li Qiao's Hundred Poems' Auspicious Writing and Its Causes——The Motivation of Literary Creation in the Construction of Queen Wu's Destiny

《李峤百咏》作为初唐五律定型过程中的范式,在对象选取、意象用典和意境营造中带有明显的注重祥瑞的特点。这与当时的宫廷咏物诗风以及李峤的官职和写作经验有关,同时也与当时的政治需求及李峤的政治立场存在内在的联系。因为武后以女身称帝,尤其需要藉助祥瑞表征来凸显自身的天命之应,而李峤以诗歌的形式参与武后的天命建构与祥瑞宣传。

As a model of five rhythms in the early Tang Dynasty,Li Qiao’s Hundred Poems lays emphasis on auspicious sign in selecting creative objects,image,allusion and artistic conceptions. This may be related to the palace poems’ style,and Li Qiao’s official position and writing experience. At the same time,there is an inner connection with the political demands and Li Qiao’s political positions. Because Queen Wu proclaimed herself empress as a woman,establishing the Wu Zhou regime especially needs to use auspicious sigsn to highlight Empress Wu’s destiny. Li Qiao participated in Queen Wu’s constructing of Destiny and disseminating auspicious signs.