“苏作”精神的坚守与并蓄——从浙江“汉唐”品牌看当代木作茶具设计的审美特质

Adherence and Integration of “Su Zuo”Spirit——The Aesthetic Characteristics of Contemporary Wooden Tea Set Design Observed from Zhejiang Hantang Brand

木作茶具在当代的发展始于二十世纪八、九十年代,是随着工夫茶的流行和普及发展起来的新的茶具类型。作为重要的事茶器物,它不但具有物质的实用性特征,且在精神性的审美方面也反映出特有的多样性。以"汉唐"为代表的木作茶具品牌,在造型、尺度、材质、装饰等方面坚守"苏作"精神的同时,兼容并蓄,融合时代特征,形成了木作茶具独有的审美特质。

Wooden tea sets are a new category of tea sets developed in the 1980 s or 1990 s along with the prevalence and popularity of Gongfu Tea. As an essential tea utensil,it both embraces the practical character of a material thing and reflects the unique diversity in the context of the aesthetic spirit. Sticking to the'Su Zuo'( That which is made in Jiangsu Province) spirit in the shape,scale,material quality,decoration,etc.,and in the meantime integrating into the characteristics of the times,the wooden tea set brands represented by Hantang brand have developed their own unique aesthetic traits.