摘要
许润辉的陶瓷绘画,不拘泥于传统的繁重构图,浪漫、轻盈,有野趣,好像穿过杏花春雨的江南,湿漉漉的感觉扑面而来,在这个工业噪音弥漫的时代,表现出了难得的词境和诗情。那些舒展而自由的画面里分明有一种精神关注与想象。面对纷杂的大千世界,许润辉愿意亲近的还是关于童年关于故土关于水乡的一次次回忆与联想。那些疏离的意象画面,那些优雅的黄色和蓝色,那些恣意摇曳的芦苇野草蒲公英,那么自顾吟唱的柔情,那么没有拘束的明艳,那么低头浅笑的一抹含蓄与朦胧。
The ceramic paintings by Xu Runhui feature a characteristic of romantic, lithe and graceful and full of wild tastes as well.The prosaic and poetic moods containing in them that are hard to obtain and difficult to express for they are imbued deeply with archaic esthetic habits and conceptions of China that can help easily effect a resonance of excitement between appreciators and artworks.
