摘要
他画的是感觉。实际上所谓'写意'就是画感觉,而'大写意'当然就是画大感觉了。水墨大写意尤其是泼墨大写意提出的悖论恰恰是:感觉越鲜明越强烈,画出来越朦胧越糊涂.这就是'舍形而悦影'.换成现代话,就是舍知觉而悦感觉。在老甲的画中,知觉的完整、凝固、冷静、客观被舍弃。
There is no objective and realistic appearance in Lao Jia’s paintings,but his unique artistic ideorealm shows us more profound,vigorous and meaningful world in Chinese big freehand brushworks.
