摘要
说到20世纪初留法的大艺术家,徐悲鸿总是最先被人想到的一位。他不仅是当时留法学子中的优秀代表,更在归国后用自己的艺术创作和教育实践吹响了变革中国绘画的号角。他既是油画家,也是国画家,他的油画投射出中国艺术的影子,而他的中国画。
Most Chinese artists studying in France in the beginning of the 20th century were dedicated to learn the accurate,graceful and realistic styles of Western arts.Arts of the Western world,which encompass a series of precise artistic theories and practice rules,are totally different from Chinese arts.It is the reason why the then young Chinese painters were so obsessed with Western arts.For them,classic realism was not only an extremely fresh and stimulating art form but a kind of future for Chinese arts,though it was on the wane in the Western art world.
