摘要
明清情感美学论在对艺术情感蕴涵深刻把握的基础上,揭示出其四个性能维度,这就是求异性、主变性、无尽性、求美性维度。四个性能维度审美标向同一,整合性地昭示出文学新变精神和艺术创造个性化规律。
On the basis of a profound understanding of connotations of artistic affect, affect aesthetics theory in Ming Dynasty and Qing Dynasty demonstrates four quality dimensions, i.e. pursuing of difference, pursuing of change, pursuing of boundlessness, and pursuing of beauty. The four dimensions are in the same direction as aesthetic appreciation is concerned. And they integrally reflect literary innovativeness and artistic uniqueness.
出处
《郧阳师范高等专科学校学报》
2003年第4期43-48,共6页
Journal of Yunyang Teachers College
关键词
明清文论
艺术情感
性能维度
literature theory in Ming and Qing dynasty
artistic affect
quality dimensions