生气远出 意思萧散——论文同的骚体创作

On Wen Tong's Creation of Sao Style

北宋中期 ,随着党争的加剧 ,骚体创作悲凉之气渐渐淡薄 ,转而寻求精神的自由和对世俗人生的超越。文同的骚体表现对绝对自由的艺术境界的追求 ;表现对世俗的厌弃和对独拔流俗之上的人格美的向往 ;描绘冰清玉洁、自在逍遥的神女形象 ,充分表现了当时辞赋创作疏离屈骚传统、超越世俗人生的倾向。庄学素养、淡泊的襟怀、蜀地的文化品格、当时的政治环境等都影响着文同骚体的风格。

In the mid of the Northern Song Dynasty, with the struggle between two political parties aggravated, the sense of sadness in the creation of Sao style is gradually weakened, while the pursues for spiritual freedom and transcendence of common life are becoming stronger and stronger. Wen Tong's Sao style expresses his seek for absolutely free art state, resentment of mundane life and longing for lofty personality of transcending the world. He describes pure, noble and unfettered goddess in his works and shows the tendency of the creation of Sao style to depart from Qu Yuan's traditional way. Several factors affect Wen Tong's style: his mastery of the theory of Zhuang Zi, his personality without longing for fame and wealth, the cultural characteristics of the Shu and the political surroundings at that time.