苏东坡咏物词“似与非似”之特色及成因

On "Likeness and Unlikeness"——Feature of Su Dongpo's Object-chanting Ci

苏东坡在咏物词创作上力求神似,主张妙在似与不似之间,对所咏之物做到不粘不脱、若即若离,使之显示出一种既是事物本身又超越此事物的双重性质意象。这种意象的形与神、物与我的关系达到了完美的境地,形成了东坡咏物词的风格特征。而这一风格的形成,不仅得力于作者艺术上的自觉追求,还得力于作者政治上的避祸的考虑。

Su Dongpo was after a kind of likeness in spirit in his use of object-chanting Ci,which was, in fact, something between likeness and unlikeness, His writings were neither too close to nor too aloof from the object chented. This shows a kind of double-Ci images which is ths object itself and which is also beyong the object. Su Dongpo's object-chanting Ci reveas his emphasis on likeness in spirit and also his own feelings about life. In theose Ci,the relation between spirit and shape, object and self reaches a perfect situation,which has become his own particular style. The formation of the style tells not only the poet's pursuit in art but also his thoughts to avoid mistortune in politics.