中国古典诗学“言意之辨”的美学生成

The Aesthetic Frame about "the Distinction between Words and their Meaning" in Chinese Classical Poetics

言意观是中国古代文论的核心话语之一,深刻影响到中国古代文学的艺术品格和诗学品位。本文以“言意之辨”的缘起为逻辑生长点,较全面地论述了书不尽言、言不尽意、义生文外等美学参数及生成机制,以期有效达成中国古代文论的现代转换及其与世纪之交西方语言哲学的对话性接轨。

To derive meaning from words has been in ancient China, one of the most fascinating topics in the literary circle, which has exerted great influence on the artistic flavor and poetical style of ancient Chinese literature. Beginning with a probe into the cause of discussion over the relation of words and meaning, this author has expounded the aesthetic value and the quality of a semantic features of the following phraseology: good book lies in what is left written; a good speech lies in what is left unsaid; implication lies between the lines. The purpose of the analysis is to apply the ancient Chinese literary theory to modern writing and bring such theory more in line with western linguistic philosophy.