论中国古代戏曲理论“内外结合”的演员修养观

On the Concept of Performers′Cultivation by“Combing Their Inner World with the Outside”in Ancient Chinese Opera Theories

中国古代戏曲理论在遵循戏曲艺术一般规律的前提下,尽情地将和谐统一、均衡稳定的“中和之美”思想发挥到极致,其中强调演员内在修养与外在表现技巧统一的所谓“内外结合”的戏曲美学命题,有推波助澜之势。

In ancient Chinese opera theories, the concept of “harmonious beauty”featured by harmony and unity, balance and stability was developed to its highest attainment on the condition of following the general law of operatic art. In the theories, the aesthetic proposition of “combing their inner world with the outside”, which attaches importance to integrating performers′self-cultivation and outside performing skills, has given impetus to the development of this concept.