摘要
由于先天气质和长期受中国传统文化的浸染,孙犁晚年深化了崇尚"平淡"的审美意识。这一审美意识以"道"的本质属性"无为"为哲学依据,以庄子"虚静"说的"去欲"、"去知"为支撑点来建立主体"平淡"的心境、人格,在艺术创造上涵化了朴实、简练、含蓄和不尚胶滞、求弦外之音、传神为高等多种素质,最终造成偏重意蕴美的"平淡"的风格和境界。"平淡"的涵容性和超越性使它成为高层次的审美境界,这一点在解读文学大师孙犁时不可忽视。
Owing to his inherent disposition and longterm exposure to traditional Chinese culture, Sun Li was indulged deeper and deeper in his aesthetic sense of advocating 'being commonplace' in his late days. This aesthetic sense of Sun's established the subject's 'commonplace' mood and personality on the basis of the philosophy of 'doing nothing', an essential concept of Taoism and also by drawing on the perceptions of 'being rid of desire and knowledge' from Zhuang Zi's view of 'imaginary quietness'. In artistic style, it embodies all in itself various artistic characteristics, such as simplicity, brevity, implicitness but no obscurity, and pursuit for overtone and vividy to create a 'commonplace' style and vision stressing implicit beauty. As a high level of aesthetic vision, the high implicature and surpassingness of 'being commonplace'cannot be neglected when we interpret Sun Li, a literary master.
出处
《陕西师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2003年第5期50-58,共9页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
关键词
孙犁
道家美学
平淡
审美意识
Sun Li
Taoist aesthetics
being commonplace
aesthetic sense