1999～2002中国新诗状况述评

A Review of Chinese New Verse during 1999-2002

1999至2002年的中国新诗在写作实践与理论批评领域表现出极其活跃的态势,并构成了20世纪90年代后期以来逐渐发展成型的“多元化”格局。在世纪之交的中国诗歌界,出现了“书面语写作”、“口语写作”以及介于这两者之间的“复合型写作”这三种诗歌写作风格与倾向,并呈现出相对立疏离又互补互渗的复杂情状;与之相对应,在诗歌批评领域,也出现了“学院化批评”、“本土化批评”,“个人化批评”等不同的批评路向与多元化的批评格局。作为近三四年来值得关注的诗歌事件,“盘峰论争”、“龙脉诗会”、“衡山诗会”、“沈韩之争”、“70后”诗歌运动、“下半身”诗歌运动、“中间代”诗歌运动等在诗界引起争议与反响的“诗歌现象”,直接对当下的诗学建设与诗歌写作产生了积极的影响与一些负面效应,并在一种复杂的“合力”作用下,有效地促成了世纪之交中国新诗整体上良好态势与局面的出现与形成。

There has been a dynamic situation in relation to Chinese new verse during 1999-2002 in terms of writing practice and theoretic criticism, which has constituted the 'polybasic' structure developed gradually in the late 1990s. In Chinese verse circles at the turn of the century, there have emerged three poetic writing styles and trends, such as 'writing in written language', 'writing in spoken language and synthetic writing . Correspondingly, there have appeared in the field of verse criticism such diverse criticism trends and structures as 'scholastic criticism', 'localized criticism', 'individualized criticism etc. Various verse movements, which have caused controversies and repercussions in the verse circles, have exerted positive influence and some negative effect on the current poetics construction and verse writing, thus having resulted in the boom of Chinese new verse at the turn of the century.