摘要
“民间”是一个极其复杂、充满内在矛盾的概念 ,本文所要探讨的是 ,在陈思和的“民间”理论中 ,民间的客体世界和主体世界能否统一 ?“民间”能否以独立于“庙堂”、“广场”之外的形态存在于 2 0世纪文学史之中 ?自由自在是否是民间最基本的审美风格 ,民间的自由自在是否任何文明进步都无法涵盖 ?
Folk is an extremely complicated and rather self contradictory concept.The paper probes into Chen Sihe's folk theory in terms of quesstions such as whether the objective world and the subjective world can be united, whether 'folk' can exist among the literary history of the 20th century in a status independent from the cultural forms of 'temple' and 'square', whether 'being free and unrestrained' is the most fundmental aesthetic style of 'folk', and which form cannot be coverd by any of the progressing civilization.
出处
《浙江师范大学学报(社会科学版)》
2002年第1期25-27,共3页
Journal of Zhejiang Normal University(Social Sciences)