论沙孟海的书学新见与思想方法

On Sha Menghai's view of Penmanship and His Ideological Methods

本文论述了沙孟海的四大书学观点及其历史价值 :1、要将写字与刻字分别对待 ;2、写字执笔方式古今有所不同 ;3、印学史应分为四个阶段 ,宋代米芾当是第一位印学家 ;4、隋代在书法史上是承先启后的时代。本文还论述了沙孟海书学研究的两大思想方法 :1、穷源竟流 ;2、不迷信旧说 ,不尽信书本。

The paper discusses Sha Meng hai's four major ideas on penmanship and their historical values, i.e. a separate treatment between writing and engraving characters, the different styles of holding writing tools between the old time and the present time, the four stages of the history of the sigillography and the first sphragist Mifu of the Song Dynasty,the Sui Dynasty as the age of a link between the two different stages in the history of penmanship. The paper also expounds the two major viewpoints of Sha Meng hai's study on penmanship:probing into the original source of penmanship, no blind worship over the traditional definitions of penmanship, and no blind faith in the established doctrines. Finally, the paper discusses the close relationship between Sha Meng hai's view on penmanship and his ideological methods on penmanship.