摘要
任何一种艺术形式要保持自己绝对纯粹的独立性都是不可能的 ,而彼此间的借鉴和融合是大势所趋。明清时期民间艺术与文人画之间的相互影响、融合与趋同正是符合了历史发展的必然趋势 。
Absolute independence is a myth for any forms of art while mutual references and compromise is the trend, which is true to the painting of man of letters and the folk art during Ming and Qing Dynasties. Their successful compromising brought great influence to the development of Chinese culture.
出处
《桂林师范高等专科学校学报》
2003年第3期80-81,93,共3页
Journal of Guilin Normal College
关键词
文人画
明朝
清朝
民间艺术
中国
文化
painting of man of letters
folk art
comprise
appeal to highbrow and lowbrow