摘要
青花分水写意法,可谓'穷毛羽之变态,奇天工之芳妍'。立足传统,但又有着新突破。把青花材质潜能发挥的酣畅淋漓,通过简洁的概括笔料,描绘出物象神形意蕴。
blue and white water freehand method,can be described as "poor hairiness of metamorphosis,Qitian philline".Based on tradition,but it has a new breakthrough.The material of blue and white play potential by generalizing pen material fully and delightfully,concise,depicting images of God-meaning.
出处
《陶瓷研究》
2017年第S2期13-16,共4页
Ceramic Studies
关键词
陶瓷青花分水
写意法
阐释
Ceramic blue and white water division
freehand brushwork
interpretation