摘要
元代青花在我国制瓷史上有着重要的地位,它开辟了陶瓷由素色到彩瓷装饰的新空间,真正实现了将中国传统绘画转移到立体器物装饰的可能,为明清青花瓷艺术的发展奠定了基础。由于历史民族文化交融的作用,造就了元青花绚烂雄浑、别具一格的装饰语言,不仅在画风及笔法运用中超凡脱俗,在装饰技巧图案及设计构成上亦有着独特的妙韵。本文从元代青花主题类别和形成原因入手,以承上启下的工艺美术史观为依据,结合时代审美特征,从延祐、至正、元末三个时期分析了元青花排列组合形式及艺术风格。
Yuan Dynasty blue and white in the history of China’s porcelain has an important position,It opens up a new space to the ceramic decorative porcelain from the plain,the real implementation of the transfer China traditional painting to three-dimensional decorative artifacts,which laid the foundation for the development of Ming and Qing Dynasty porcelain art.Because of the history of ethnic integration,creating a powerful,gorgeous yuan blue and white decoration language have a unique style,not only in the style and the use of brush in otherworldly,also has a unique sound in a decorative pattern and design skills.This article from the Yuan Dynasty blue and white theme categories and causes of the connecting process of art history as the basis,combined with the era of aesthetic features,from Yan Yu,positive,three yuan at the end of period of Yuan blue and white combination form and artistic style.
出处
《陶瓷研究》
2017年第S2期44-49,共6页
Ceramic Studies
关键词
青花
元代
构成
装饰
审美
c blue and white yuan constitute decorative aesthetic