摘要
摹古创新,是每个瓷画作者从艺的必经之路。山水瓷画既要'搜尽群峰打草稿'也要根据陶瓷材质和审美旨谁'因器施画'。'因题施画'。既要发扬中国绘画的理论,也要'笔墨当随时代'。山水瓷画的空间联想法中华民族的文化传统,在师承中得以丰富,可得'瓷画双臻'的美妙享受。
innovation is the only way which must be passed to each style, porcelain from the author. Landscape painting is to "search all peaks according to the draft" ceramic material and aesthetic purport for painting "because of who". Title painting ". We must carry forward the theory of Chinese painting, but also " pen and ink when the times. "". Landscape spatial association of Chinese traditional culture, the teachers can enjoy the rich, beautiful can be a "double Zhen porcelain".
出处
《陶瓷研究》
2017年第S3期49-52,共4页
Ceramic Studies