青花钴料“蝶变”之阐论

Cobalt Bluepigment "Butterfly" theory

陶瓷绘画的材质是很重要的。而青花钴料的运用,不论是釉下青花的发色,还是釉上彩绘的线描,既有一物多用的特性,而且具有突出的民族性。从中国绘画的形式技巧来看,任何时代的艺术都要求作品形式上的完善、和谐、优美,在艺术技巧上要求精湛,娴熟,能够使人赏心悦目,所以绘画的形式和技巧对于时代性较之思想内容有更广泛的适用性和相对稳定性,它的历史继承性也更加突出和明显。从明代嘉靖年间青花钴料"蝶变"后的华丽转身,钴料第二性的置换,传承至今。

the material of ceramic painting is very important. The cobalt Bluepigment use both underglaze blue and white hair color, or enamel painting line drawing, both the characteristics of a multi use, but also has outstanding nationality. From the form of skills Chinese painting, art works are required to form the perfect,harmonious, beautiful, exquisite requirements, skilled in art, can make people so good to hear or see drawing form and skill, has more extensive applicability and relative stability in the ideological times than its content. Historical inheritance is more prominent and obvious. From the Ming Dynasty Jiajing cobalt Bluepigment "Butterfly" gorgeous, replacement, cobalt secondary inheritance up to now.