摘要
婴戏图是陶瓷装饰中常见题材之一,它根植于中华民族传统沃土之上,即有宫廷艺术的熏陶,而更多的是民间艺术的积淀。无论是明代青花纹式还是清代粉彩画,婴戏图都以其独特的传统理念主导婴戏图的时代氛围。从而进一步证实,一种艺术形态的产生,离不开时代背景的渗透。
the infant drama is one of the common themes in ceramic decoration, which is rooted in the traditional Chinese fertile soil, namely, the influence of palace art, and more is the accumulation of folk art. Both the blue and white pattern of the Ming Dynasty and the Qing Dynasty pastel painting, the baby drama with its unique traditional concept leading the era atmosphere of the baby drama figure. It further proves that the emergence of an artistic form can not be separated from the infiltration of the background of the times.
出处
《陶瓷研究》
2017年第S4期20-24,共5页
Ceramic Studies
关键词
陶瓷
婴戏图
纹饰
评判
Ceramics
infant opera
ornamentation
judgment