宗·象·境:传统器物审美的文化建构——以景德镇陶瓷为表征

Ultimate·image·state:Cultural construction on traditional utensils aesthetic——symbol on the jingdezhen ceramics

围绕传统景德镇陶瓷自入宋后涵摄生活之百姓日用与文化之参赞化育的器物工艺态势,本论尝试以"器物之器识""器物之理制""器物之鉴赏"为总纲,资鉴革卦"治历明时"之时间观与鼎卦"正位凝命"之空间观来表徵道器、历史、人文相绵延之精神气象与审美建构:贯通景德镇区域陶瓷艺术形而下之器物工艺与民族形而上之道艺损益传承,往返于有形器物史与无形价值观的时空变迁来彰显百姓体用的世俗性与艺术人生的神圣性二维,从而体征"礼乐人文""制器尚象""道器合一""正谊明道"等区域陶瓷文化与审美境遇精神。

The thesis attempts to nature implements notion,the reason implements and appreciation as the key context,concerning to traditional Jingdezhen ceramics after the Song with people daily life function and cultural cultivation,references zhouyi view of time and space to tao and qi,history,humanities continuous meteorological and aesthetic construction:linking Crafts and ethnic metaphysical through Jingdezhen ceramic art profit and loss of inheritance,rounding time and spatial to temporal changes with tangible and intangible values,implementing to national history two dimensional of sacred and real highlight the secular people for life and art,reflecting chinese ceramic art aesthetic vlue and circumstances character of regional culture.