摘要
对景德镇手工陶瓷市场的考察认为,景德镇陶瓷手艺人的艺术与生活之界限正在被审美的介质虚化;同时,两者之间也在不断地发展、冲突与融合,进而日益构建起艺术审美与生活审美协同发展的新格局。手工陶瓷艺术作为引导手艺人生活审美提升的驱动力,不仅推进了大众日常生活审美品位的提升,还加速了当地手工陶瓷艺术的艺术化发展,更成为艺术审美介入日常生活的催化剂,进而大大丰富了大众生活的精神世界,重构了陶瓷艺术与日常生活之间的耦合。
According to the investigation of Jingdezhen handicraft ceramics market, the boundary between art and life of Jingdezhen ceramics craftsmen is being emptied by aesthetic medium, and at the same time, they are constantly developing, conflicting and merging, thus gradually building a new pattern of coordinated development of artistic aesthetics and life aesthetics. As the driving force to guide the aesthetic improvement of craftsmen’life, hand-made ceramic art not only promotes the improvement of aesthetic taste in daily life, but also accelerates the artistic development of local hand-made ceramic art, and becomes a catalyst for artistic aesthetics to intervene in daily life, thus greatly enriching the spiritual world of popular life and reconstructing the coupling between ceramic art and daily life.
作者
邓文杰
Deng Wen Jie(Faculty of Humanities and Arts,Macao,China,519020)
出处
《陶瓷研究》
2018年第5期10-14,共5页
Ceramic Studies
关键词
手工陶瓷
艺术审美
日常生活
青年群体
hand-made ceramics
artistic aesthetics
daily life
youth groups