摘要
紫砂塑器的表现方式是人为汲取自然界中物的美,意象是中国传统文化中的审美符号,作为中国传统工艺和传统文化中的典型代表,本文研究方向放在如何更恰当地将意象形态运用到紫砂艺术创作中去,通过相关的设计制作与工艺的实践来丰富紫砂塑器多元化的创作,让这两种优秀的传统文化更好地结合在一起。本文旨在对紫砂壶塑器创作中所运用的意象形态、制作工艺方式及作品呈现的人文关怀进行分类整理,将理论研究与案例分析的成果同自身创作实践相结合,系统梳理紫砂塑器创作中意象形态运用的脉络,探索紫砂壶塑器制作的多元化表达方式,力图探索传统造型与当代造形观念方面的差异和相同点,继而能更好地认识和掌握"形"与"意象形"的创造思路与创新方法,研究如何调动自身的感知和思维系统,发现与捕捉客观世界和现实生活中的感动点,能更好地学习和创作。
Purple sand sculpture is artificially absorbing the beauty of things in nature, and image is an aesthetic symbol in Chinese traditional culture. As a typical representative of Chinese traditional crafts and culture, the research direction of this paper is how to apply image form to purple sand artistic creation more appropriately, and enrich the diversified creation of purple sand sculpture through relevant design, production and process practice. Let these two excellent traditional cultures be better integrated. The purpose of this paper is to classify and sort out the image forms, production techniques and humanistic care in the creation of purple clay pot sculpture. Combining the results of theoretical research and case analysis with their own creative practice, this paper systematically combs the thread of image forms in the creation of purple clay pot sculpture, explores the diversified expression ways of purple clay pot sculpture production, and tries to explore the traditional sculpture. The differences and similarities with the contemporary concept of shaping can help us better understand and master the creative ideas and methods of 'shape' and 'image' and study how to mobilize our own perception and thinking system, find and capture the touching points in the objective world and real life, so as to better study and create.
作者
刘庆忠
Liu Qingzhong(Academy of Arts&Design,Tsinghua University,Beijing,100000)
出处
《陶瓷研究》
2018年第5期76-82,共7页
Ceramic Studies
关键词
紫砂
塑器
意象
形态
redware
plastic tools
image
form