从原创陶瓷的“风向标”来看海上陶瓷的发展——海上陶瓷的发展与现状研究

Look at the development of offshore ceramics from the "vane" of original ceramics

据首届中国国际陶瓷产品展览会上海发布会获悉,上海是中高档陶瓷最大的消费地,也是国产陶瓷原创新品引领潮流的首选市场,已经成为中国陶瓷界"原创与时尚"的风向标。上海市民的整体陶瓷消费值达300多亿元,占全国总数百分之十,位居亚洲之首,将成为"全球陶瓷贸易中心"(1)。这是中国经济网上一条关于上海国际陶瓷贸易的消息,虽然不能完全反映出上海本地陶瓷整体变化,但也足于让我们感受到了这些年海上陶瓷贸易发展的强劲势头,也正是因为海上陶瓷贸易的独特地理优势吸引了国内外制瓷能匠纷纷落户创业推动着海上陶瓷的兴盛与发展并逐渐凸显出区别于国内传统陶瓷的海派艺术特色来,本文试着从海上陶瓷的历史发展与现代海上陶瓷的地方窑口、门类风格、人物工艺以及教育交流等角度梳理出海派陶瓷的发展脉络,为探索当代海派陶瓷传承与发展、繁荣与兴盛提供理论依据。

According to the Shanghai Conference of the First China International Ceramic Products Exhibition, Shanghai is the largest consumer of medium and high-grade ceramics, and also the first choice market for domestic original and innovative ceramics to lead the trend. It has become the vane of 'originality and fashion' in China’s ceramics industry. The total consumption value of ceramics in Shanghai is more than 30 billion yuan, which accounts for 10% of the whole country. It ranks first in Asia and will become the 'Global Ceramics Trade Center'. This is a news about international ceramics trade in Shanghai on China’s economic network. Although it can not fully reflect the overall change of local ceramics in Shanghai, it is enough for us to feel it. In recent years, the strong momentum of the development of offshore ceramics trade is precisely because the unique geographical advantages of offshore ceramics trade have attracted domestic and foreign ceramic craftsmen to settle down and start their own businesses, which has promoted the prosperity and development of offshore ceramics and gradually highlighted the artistic characteristics of offshore ceramics which are different from domestic traditional ceramics. The historical development and the local kiln entrance of modern offshore ceramics, the style of different categories, the craft of characters and the educational exchange point of view sort out the development thread of Shanghai-style ceramics, and provide a theoretical basis for exploring the inheritance and development, prosperity and prosperity of contemporary Shanghai-style ceramics.