摘要
从明末至今,陶瓷山水画与书法的结合经历了漫长而独特的发展演变,并在风格类型和构图布局上形成了丰富而多样的艺术形式,体现了"书画同源"、文人美学观念以及现代美学意蕴。
From the late Ming Dynasty to the present,the combination of ceramic landscape painting and calligraphy has undergone a long and unique development and evolution,and has formed a rich and diverse art form in the style type and composition layout,which embodies the'same origin of painting and calligraphy',literati aesthetic concept and modern aesthetic implication.
作者
田华
胡晓虹
Tian Hua;Hu Xiaohong(Tianhua Ceramic Art Studio,Jingdezhen,33000)
出处
《陶瓷研究》
2018年第6期63-64,共2页
Ceramic Studies
关键词
陶瓷山水画
书法
艺术形式
美学意蕴
ceramic landscape painting
calligraphy
art form
aesthetic implication