现代陶艺创作中风格民族性与国际性之关系——以日本艺术精神为例

A Brief Analysis of the Relation between National and International Style in Modern Ceramic Creation——Take Japanese artistic spirit as an example

民族与世界的关系在中国现代陶艺界作为一种风格主题流行良久,从二十世纪八十年代开始,现代陶艺家在形式与精神、意识与表现方面做出诸多探索,在谨慎使用民族文化语码作为表现载体的同时,也表现出本民族和地区性文化对于世界文化联系的向往,所以在陶艺的造型与装饰中表现传统符号的方式十分有限。日本将传统艺术形式提升到美学意义的高度,从20世纪初至今,日本现代陶艺的发展值得我们借鉴,对本民族的与外民族优秀的文化具有高屋建瓴和批判式精神,对本民族文化有去粗取精和总结归纳的精神,是现代陶艺家所需要锤炼和继承的。

The relationship between nation and the world has been popular for a long time as a style theme in China’s modern pottery art circle.Since the 1980 s,modern pottery artists have made many explorations in form and spirit,consciousness and expression.While cautiously using national cultural codes as expression carriers,they also show their yearning for the connection between national and regional cultures.The way to express traditional symbols in the shape and decoration of pottery art is very limited.From the beginning of the 20 th century to the present,the development of Japanese modern pottery art is worth learning.It has the spirit of building a high house and criticizing the excellent culture of its own nation and foreign nations.It has the spirit of extracting and summarizing the national culture.It is necessary for modern pottery artists to refine and inherit it.