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元青花纹饰的“气韵生动”美学内涵表现形式 被引量:2

The aesthetic connotation of the "Vivid " aesthetics in Yuan blue and white
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摘要 通过对元青花的气韵生动命题解析,研究元青花纹饰与气韵生动命题的关联、意义的构成以及对所处时代和未来的影响。通过对气韵生动的解析结合文献法、图像分析法,将元青花的纹饰解构成气韵和生动两个方面,从中解读出其意义的构成;并讨论元青花纹饰在所处时代的影响因素。气韵生动的命题在很多装饰题材中都有所涉及,元青花的纹饰有其特殊性,具有本土文化的影响,也有外来文化的影响等的意义。 Through the analysis of the vivid proposition of Yuan blue and white,the relationship between Yuan blue and white and the vivid proposition of the rhyme,the composition of meaning and the influence on the era and future are studied.Through the vivid analysis of the charm and the combination of the literature method and the image analysis method,the pattern of the Yuan blue and white dynasties is composed into two aspects:the composition of the meaning and the vividness.The influence factors of the Yuan blue and white pattern in the era are discussed.The vivid propositions are involved in many decorative themes.The ornamentation of the Yuan blue and white dynasties has its particularity,the influence of local culture,and the influence of foreign culture.
作者 汪永平 Wang yong ping(Jingdezhen Ceramic Institute,Jingdezhen City,333000)
机构地区 景德镇陶瓷大学
出处 《陶瓷研究》 2018年第6期107-109,共3页 Ceramic Studies
关键词 元青花 纹饰 气韵生动 表现形式 Yuan blue and white ornament vivid expressive form
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