现世的佛,人间的主——从废名的《海》到郭沫若的《夕暮》

The Present World’s Buddha & the World’s Host——From Fei Ming’s "Sea" to Guo Moruo’s "Sunset"

在古今中外的许多艺术家中,不乏对宗教参悟颇深并与自己的创作结合为一体的名家、大师,他们或以自己的艺术方式参禅悟道,弘扬教义,或以之来实现文"道"结合,创造出许多颇具宗教色彩、让常人不解或难解的艺术作品。从废名的《海》和郭沫若的《夕暮》两诗来看,其中虽蕴含着深奥的禅机,但却包含着文学艺术的别一番境界,虽以常人难解或不解的"偈语"或云山雾海般的构意为表达方式,却又是将"出世"思想与"入世"精神完美统一于一体的艺术结晶。

Among many Chinese and foreign artists in ancient and modern, there are many famous experts and masters who have a deep feeling for religion and combine religion with their own creative work. They meditate by own artistic ways, or bring honor to the religious doctrine, or realize the combination of literature and ethics. Meanwhile they create many artistic works which make people confused with religious color. From Fei Ming’s "Sea" and Guo Moruo’s "Sunset", we know that in which is containing the abstruse allegorical words, but containing literary arts boundary, although either relentless"the brave language" or sea of clouds as the expression way, also is actually artistic crystallization which combine"out of the world"with "into the world"as a whole.