摘要
作为一部惊心动魄、扣人心弦的政治大片,《逃离德黑兰》充斥着浓烈的美国式个人英雄主义和爱国主义。然而爱国主义主旋律的背后却也隐藏着不可磨灭的男权印记。基于后现代女性主义,从男性话语霸权、两性二元对立思维模式以及女性内部的异化和压迫等三个方面着手,分析《逃离德黑兰》中的男权色彩。
As one of the most impressive political films, Argo is filled with American individual heroism and patriotism.However, be-hind the cover of patriotism, Argo reflects the patriarchal society and male chauvinism.Based on Postmodern Feminism, this paper at-tempts to analyze Argo from the perspective of the discourse hegemony of male, gender dichotomy as well as the internal alienation and oppression of female, so as to reflect the patriarchy in Argo.
出处
《太原大学学报》
2015年第2期91-94,共4页
Journal of Taiyuan University